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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2020/11/a-conversation-with-ryan-kuo</loc>
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    <lastmod>2020-11-11</lastmod>
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      <image:title>Interviews - A Conversation With Ryan Kuo</image:title>
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      <image:title>Interviews - A Conversation With Ryan Kuo</image:title>
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      <image:title>Interviews - A Conversation With Ryan Kuo</image:title>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2020/5/14/a-conversation-with-hans-ulrich-obrist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-08</lastmod>
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      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Serpentine Pavilion 2018, designed by Frida Escobedo, Serpentine Gallery, London (15 June – 7 October 2018) © Frida Escobedo, Taller de Arquitectura, Photography © 2018 Ste Murray</image:caption>
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    <image:image>
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      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Derelict Land Art: Five Sisters, John Latham (1921-2006), 1976, Wood, photographs, glass jar, and shale. © John Latham Estate.Courtesy Lisson Gallery, London.</image:caption>
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    <image:image>
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      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Marcel Broodthaers, Museum of Modern Art, Eagles Department: Publicity Section, 1972</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1589484799117-Q5V4MZ8UT43YI61M31UM/CVP_APG.jpg</image:loc>
      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Artist Placement Group, Between 6, Städtische Kunsthalle Düsseldorf, 1971. Courtesy Barbara Stevini.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1589488174220-KMT54CBQQG8AYPQPIB5Q/440823f0246ddaf2c00ddd81152650b8.jpg</image:loc>
      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Gustav Metzger, Flailing Trees, Manchester International Festival. Courtesy @WhitworthCPK</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1589487998236-6N11639A67JZK5JAN20F/1._sf_blackhole-asi.jpg</image:loc>
      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Suzanne Treister, SURVIVOR (F)/BLACK HOLE ASI, 2016-19 Courtesy the artist, Annely Juda Fine Art, London and P.P.O.W. Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1589487319920-A5T12Q5KAMFUC26J8YP5/Screenshot+%2857%29.png</image:loc>
      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Hans Ulrich Obrist and Mark Bradford in conversation at Frieze Masters Talks 2019. Screenshot courtesy online video.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1589489814680-WDGHE6SBW9GJ1ETNUYM1/khoj-hui-marathon-3.jpg</image:loc>
      <image:title>Interviews - A Conversation With Hans Ulrich Obrist</image:title>
      <image:caption>Hans Ulrich Obrist, 2011, KHOJ Marathon, India. Courtesy KHOJ Marathon.</image:caption>
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  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2019/10/2/a-conversation-with-jean-shin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1570034278397-R3VBXTKCC3INTSONE53B/image-asset.jpeg</image:loc>
      <image:title>Interviews - A Conversation with Jean Shin</image:title>
      <image:caption>Jean Shin in front of her work at Storm King. Photo by Angela Pham/BFA.com / Courtesy of Storm King Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1570035101518-KCPMNBFCNFHCDZJ82FX3/stormking.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jean Shin</image:title>
      <image:caption>Photo by Jean Shin at Storm King Art Center, 2019. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1570034967420-K5FLBF0H2SH0X88ULFBC/JeanShin_AlleeGathering.png</image:loc>
      <image:title>Interviews - A Conversation with Jean Shin</image:title>
      <image:caption>Jean Shin, Process documentation for Allée Gathering, 2019. Recycled maple wood and steel. Dimensions variable. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1570034479009-06992II7C9XZJ3K86XCV/image9-installationview.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jean Shin</image:title>
      <image:caption>Installation view of the exhibition, Jean Shin: Collections. Image courtesy of Philadelphia Museum of Art, 2018. Photo by Joseph Hu.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2019/1/9/a-conversation-with-bob-bicknell-knight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068866718-3XNPHAX8XTTITEOHUKPV/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Duty Free, Installation view, 2018. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068613237-DUIL635NNAWW58D76B7S/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Relic I, 2018, Universal mount holder, artificial grass, SIM card, 50 x 20 x 20 cm. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068537584-42E31XY0HNQPK7X7M9TP/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Gyrocar I, 2018, Oil on canvas, 164 x 200 cm, Unique. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068838863-U8PPLFYQU18QIQBWO1CP/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Disguised Office Infrastructure (WiFi Extender), 2018, WiFi Extender, artificial grass, spray mount, 20 x 7 x 6 cm, Unique. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068900336-NCCJZM14FDRP2MEOAYVL/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Unattended Bag, 2018, Custom printed zip top handbag, 3D printed ABS plastic, USB drive, downloaded Facebook data, shredded newspapers, 31 x 47 x 14.5 cm, Unique. Image courtesy of the artist and Annka Kultys Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068930089-FXB0Q2MMEPF2NQRBGI3F/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>isthisit? issue 6. Image courtesy of the artist and AES+F. https://www.isthisitisthisit.com/issue-06</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068572724-YV4TM77PR5GP5CFXB1RR/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>isthisit? issue 5, 2018. Image courtesy of the artist. https://www.isthisitisthisit.com/issue-05</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068655129-HJ45CI20Y0O4HGZMRKK0/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Terms and Conditions May Apply, Installation view, 2018. Image courtesy of the artist and Annka Kultys Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068741612-XHUS2B10PTZLGWC10L49/image-asset.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>Drone Theory, 2018, HD digital video with sound, 5 min 9 sec, 28” LCD screen, aluminium modular system, print on aluminium, PVC, 3D printed polyamide, Donald Trump inauguration gold plated coin, custom USB drive, miscellaneous cables, screws, 147 x 88 x 54 cm, Edition of 1, 1AP. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1547068189261-D1IZ8UPE1FYDMJF1USMF/Screen+Shot+2019-01-04+at+8.59.12+AM.png</image:loc>
      <image:title>Interviews - A Conversation With Bob Bicknell-Knight</image:title>
      <image:caption>There are already 35 server farms on Mars. It is the perfect temperature, 2017, HD digital video with sound, JVC flatscreen TV, pine wood, MDF board, JZBRAIN charging tower, extension cable, various Litecoin paraphernalia, Belkin WIFI range extender, media player, polyamide 3D printed USB drive, self-published book, miscellaneous cables, screws, glue, 140 x 120 x 120 cm . Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2018/12/21/a-conversation-with-stephanie-dinkins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1545401981803-NBK6BGHADD5KZKHVKD6D/empathy-meeting.jpg</image:loc>
      <image:title>Interviews - A Conversation With Stephanie Dinkins</image:title>
      <image:caption>A Conversation about Empathy and AI. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1545401726253-3V7PJ4CK6G0T9TQ9A2MN/img-8232_1.jpg</image:loc>
      <image:title>Interviews - A Conversation With Stephanie Dinkins</image:title>
      <image:caption>Project al-Khwarizmi (PAK). Photo courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2018/10/30/a-conversation-with-rasu-jilani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1540931444145-JR4UKLIT3P1T2ER9BHQO/image-asset.jpeg</image:loc>
      <image:title>Interviews - A Conversation With Rasu Jilani</image:title>
      <image:caption>Griot In the Stuy Project By Rasu Jilani, photography by Kwesi Abbensetts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1540931087580-SFS5YIOVIO56X5BC5GD2/Picture1.jpg</image:loc>
      <image:title>Interviews - A Conversation With Rasu Jilani</image:title>
      <image:caption>Afropunk “Radical Black Excellence Project”: Michaela Angela Davis + Gbenga Akinnagbe + Baron Claiborne (photographer)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1540931502984-C3KPENVG5WOM7QPIP7ZO/image-asset.jpeg</image:loc>
      <image:title>Interviews - A Conversation With Rasu Jilani</image:title>
      <image:caption>Griot In the Stuy Project By Rasu Jilani, photography by Kwesi Abbensetts In Photo: Former Assemblywoman, Annette Robinson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1540931312655-FMVDCYJXTVSFTM53VFKL/image-asset.jpeg</image:loc>
      <image:title>Interviews - A Conversation With Rasu Jilani</image:title>
      <image:caption>Holoscenes by Lars Jan, Toronto Promenade, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1540931194878-KHSZ0X42U194UIYW7LD3/Picture4.jpg</image:loc>
      <image:title>Interviews - A Conversation With Rasu Jilani</image:title>
      <image:caption>Griot In the Stuy Project By Rasu Jilani, photography by Kwesi Abbensetts In Photo: Bedstuy Community</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1540931130693-6RMD4ZIYHOHLCE5PT52Z/Picture2.jpg</image:loc>
      <image:title>Interviews - A Conversation With Rasu Jilani</image:title>
      <image:caption>Afropunk “Radical Black Excellence Project”: Michaela Angela Davis + Gbenga Akinnagbe + Baron Claiborne (photographer) In photo: Barron Claiborne (left)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2018/9/4/a-conversation-with-jakob-kudsk-steensen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1536076134900-W8HL5ERNVATXJF5DPO2P/2017-18_AQUAPHOBIA03_JakobKudskSteensen_web.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jakob Kudsk Steensen</image:title>
      <image:caption>Aquaphobia, Full room-scale VR, Year: 2017 Direction, production, art and sound by Jakob Kudsk Steensen, Text by Jakob Kudsk Steensen, Narration by Rindon Johnson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1536075541214-UKWAJXAS9F8BK6RDLCLA/24312995_10155766300885460_8445458911470946565_o.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jakob Kudsk Steensen</image:title>
      <image:caption>Pando Endo, 2017, Realtime simulation with 4 drone cameras.  Pando Endo was made as an art commission for Worm's first online issue, “Refuse: (v)(n)()”:  http://www.wormrefuse.org/pandoendo. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1536076029033-MD4X3FO1XKRN7H1OPLZG/Doc4a.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jakob Kudsk Steensen</image:title>
      <image:caption>Pando Endo, 2017, Realtime simulation with 4 drone cameras.  Pando Endo was made as an art commission for Worm's first online issue, “Refuse: (v)(n)(-)”: http://www.wormrefuse.org/pandoendo. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1536075794424-BVTJP9D17SBW31TTHODP/image-asset.jpeg</image:loc>
      <image:title>Interviews - A Conversation with Jakob Kudsk Steensen</image:title>
      <image:caption>November 2017 Midnight Moment: "Terratic Animism" by Jakob Kudsk Steensen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1536075679976-OUD0QEWOB9SO66RIZAHS/10+%281%29.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jakob Kudsk Steensen</image:title>
      <image:caption>Aquaphobia, Full room-scale VR, Year: 2017 Direction, production, art and sound by Jakob Kudsk Steensen, Text by Jakob Kudsk Steensen, Narration by Rindon Johnson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1536075963240-YESGC01P4FN32S0BK95R/Doc7.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jakob Kudsk Steensen</image:title>
      <image:caption>Pando Endo, 2017, Realtime simulation with 4 drone cameras.  Pando Endo was made as an art commission for Worm's first online issue, “Refuse: (v)(n)(-)”: http://www.wormrefuse.org/pandoendo. Photo courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/12/12/a-conversation-with-jonathan-monaghan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1513129259914-2SKUBX9I2V79FC8B1UBV/jm_discobeast_2_w.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jonathan Monaghan</image:title>
      <image:caption>Jonathan Monaghan, Disco Beast, 2016, Video (color, sound), media player, screen or projector, Dimensions variable, landscape orientation, 18 min, loop, Edition of 3, Music by Furniteur</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1513131302470-JWZT02I9PRTJH1X2YHZ7/JonathanMonaghan_PumpkinSpice.jpg</image:loc>
      <image:title>Interviews - A Conversation with Jonathan Monaghan</image:title>
      <image:caption>Jonathan Monaghan, Pumpkin Spice (2017), Powder-coated steel, faux fur, MDF, 42 × 42 × 1 1/2 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1513129503568-B4P5Q3LGJRZ7S7CP8IHD/bitforms+gallery+%C2%BB+The+Unicorn+in+Bondage+2017-12-08+22-05-40.png</image:loc>
      <image:title>Interviews - A Conversation with Jonathan Monaghan</image:title>
      <image:caption>Jonathan Monaghan, The Unicorn in Bondage, 2017, Carrara marble, 3D printed steel, 27 x 13.5 x 15 in / 68.6 x 34.3 x 38.1 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1513129613834-QEVU8HQZ64BDTZ7OSHTF/bitforms+gallery+%C2%BB+Chase+What+Matters+2017-12-08+22-09-22.png</image:loc>
      <image:title>Interviews - A Conversation with Jonathan Monaghan</image:title>
      <image:caption>Jonathan Monaghan, Chase What Matters, 2017, From the series Police State Condo Dye sublimation on aluminum, 3D printed 18K gold plated brass, acrylic, MDF 25 x 25 x 1 in / 63.5 x 63.5 x 2.5 cm Edition of 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1513130372213-LXYNBVX9G2QY2QT15A3K/bitforms+gallery+%C2%BB+Life%E2%80%99s+Better+When+We%E2%80%99re+Connected+2017-12-08+22-07-41.png</image:loc>
      <image:title>Interviews - A Conversation with Jonathan Monaghan</image:title>
      <image:caption>Jonathan Monaghan, Life’s Better When We’re Connected, 2017, Dye sublimation on aluminum, 3D printed 18K gold plated brass, wood, 53 x 35 x 1.5 in / 134.6 x 88.9 x 3.8 cm, Edition of 3  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/11/11/a-conversation-with-mattia-casalegno</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510411793864-LCJMBAV798FSIH04WLIU/Picture1.jpg</image:loc>
      <image:title>Interviews - A Conversation with Mattia Casalegno</image:title>
      <image:caption>End/User, installation view at YAA Museum. Fort Lauderdale, 2016. Photo: Shani Pak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510411844286-8WM3L8543PMQQ05UXYL8/Picture2.jpg</image:loc>
      <image:title>Interviews - A Conversation with Mattia Casalegno</image:title>
      <image:caption>The Open, installation view at YAA Museum. Fort Lauderdale, 2016. Photo: courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510412270860-3CSCJAB7D3PACOM2Z45F/Picture4.jpg</image:loc>
      <image:title>Interviews - A Conversation with Mattia Casalegno</image:title>
      <image:caption>RBSC.01, installation view at MACRO Contemporary Art Museum, Rome, 2013. Photo: courtesy Aaron Bocanegra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510411918560-W8ASR8J2CMD0FY5IL613/Picture3.jpg</image:loc>
      <image:title>Interviews - A Conversation with Mattia Casalegno</image:title>
      <image:caption>TWINS, installation view at The Projects, Fort Lauderdale, 2016. Photo: courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/11/6/a-conversation-with-claire-lieberman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510001474472-GV83N2YYP45OYLZLVP8W/image-asset.jpeg</image:loc>
      <image:title>Interviews - A Conversation with Claire Lieberman</image:title>
      <image:caption>Claire Lieberman, GRENADE WITH FLOWERS, black marble, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510001396925-2969RYID4QTHAKIT077E/Claire_Lieberman_Radio_photo_credit_Ken_Kashian.jpg</image:loc>
      <image:title>Interviews - A Conversation with Claire Lieberman</image:title>
      <image:caption>Claire Lieberman, RADIO, black marble, 2017. Photo credit: Ken Kashian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510001227312-2Q4DYKMGQJSMDRHZMJNG/Claire_Lieberman_Flower.jpg</image:loc>
      <image:title>Interviews - A Conversation with Claire Lieberman</image:title>
      <image:caption>Claire Lieberman, FLOWER, black marble, 2017. Photo credit: Malcom Varon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1510001318155-0WQHLDCBKFKQHZ9G1EP8/Claire_Lieberman_UDBO+Playground_2017_installation+view_photo_Malcolm_Varon.jpg</image:loc>
      <image:title>Interviews - A Conversation with Claire Lieberman</image:title>
      <image:caption>Claire Lieberman, installation view - UDBO PLAYGROUND, 2017, Massey Lyuben Gallery. Photo: Malcolm Varon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/10/25/a-conversation-with-steven-warwick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1508946235980-RNUQTI64E4CI0Z1YAQ3W/sw4.jpg</image:loc>
      <image:title>Interviews - A Conversation with Steven Warwick</image:title>
      <image:caption>Steven Warwick performing as Heatsick</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1508946027227-RY1NPRCMAKYU7F0VVGK4/SWfin.jpg</image:loc>
      <image:title>Interviews - A Conversation with Steven Warwick</image:title>
      <image:caption>Steven Warwick, Still photo from Elevator to Mezzanine, Issue Project Room at  Secret Robot Project. Photo: Brett Wallace</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/8/22/constant-dullaart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503406399291-ZXKAZX8019S529NW2HS1/Screen+Shot+2017-08-22+at+8.52.50+AM.png</image:loc>
      <image:title>Interviews - A Conversation with Constant Dullaart</image:title>
      <image:caption>Constant Dullaart, image of a fake Hessian army the artist created to take on capitalism. Copyright: Constant Dullaart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503407908105-03LSEMZL0BLFDWICX84Q/Screen+Shot+2017-08-22+at+8.45.24+AM.png</image:loc>
      <image:title>Interviews - A Conversation with Constant Dullaart</image:title>
      <image:caption>Constant Dullaart, Crypto Design Challenge, 2016, Image courtesy of Wikipedia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503406719129-WQWK603A73DRP1F8D7OR/Screen+Shot+2017-08-22+at+8.58.23+AM.png</image:loc>
      <image:title>Interviews - A Conversation with Constant Dullaart</image:title>
      <image:caption>Constant Dullaart, Crystal Pillars, 2013, Video, sound, 26:38 min, Edition of 3 + 2 AP Premiered at Rotterdam Film Festival in 2013, Crystal Pillars features a video diary filmed in the five years prior to the 2012 New Museum performance, which documents the artist's real life social encounters during his time on Facebook. Dullaart reflects on abandoning this online identity through a voiceover comprised of his own thoughts, the words of Mark Zuckerberg, Lil B, Christopher Poole, Henna Hyvärinen and Facebook's 2012 public prospectus. Image and description courtesy of Carroll Fletcher gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503406249090-TDQ285BV7V10B8GDDX4V/Screen+Shot+2017-08-22+at+8.50.24+AM.png</image:loc>
      <image:title>Interviews - A Conversation with Constant Dullaart</image:title>
      <image:caption>Constant Dullaart, Jennifer_in_Paradise, 2013, Re-distributed digital image (first image ever Photoshopped), encrypted message</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/8/20/mark-tribe-hopefully-some-of-these-pictures-will-be-preserved-even-though-the-landscape-itself-will-be-transformed-by-climate-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503259286793-9T03LWVVAIHI7N41M5MU/Screen+Shot+2017-03-20+at+3.07.48+PM.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Bertrand Lavier, Brandt / Haffner, Réfrigérateur, coffre-fort, 251 x 70 x 65 cm Poids: 800 kg, 1984. Crédit photographique : © Georges Meguerditchian - Centre Pompidou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503260333294-3UQCEF0I7DHV2YGYHO96/Screen+Shot+2017-02-25+at+6.59.40+PM.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Mark Tribe, Still from Balsam Lake Mountain Wild Forest, Ulster County, New York, October 15, 2016. 4K video, 24 hours</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503259667427-4GY2Z7592YLP6486XWPJ/Screen+Shot+2017-03-24+at+2.41.16+PM.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Mark Tribe, Installation View of Plein Air, Corcoran Gallery of Art, Washington, DC, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503265296198-6HNEPWY6EHUOHRSXPNWQ/image1.PNG</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Mark Tribe, image from "Posse Comitatus", 2012-2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503260150293-VN6Q5RSOAQ16MPNKV4VP/image-asset.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Mark Tribe and Chelsea Knight, Forest Park 2 (Samantha), inkjet print, 36 x 54 inches, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503259525555-EB9DUPGUNFX0TCEXRSL4/image-asset.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>2013 Screenshot of Rhizome.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503259906790-RX29V4ES3ZIB3SE8HJUT/Screen+Shot+2017-03-20+at+3.51.25+PM.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Mark Tribe, Sweet Water Strand, Collier County, Florida, October 4, 2015 (sketch), 4K video, 3:54.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503258963299-GH282Q0EK52B8J328VB6/Screen+Shot+2017-03-20+at+3.26.25+PM.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Back in the 1990’s before most of us had personal computers, Mark Tribe was learning to code and thinking about digital art platforms. Fast forward 20 years and he is known as one of the earliest champions of digital art, with solo exhibitions around the world, and a history of supporting art that enriches and thinks critically about digital culture. We sat down to discuss the dawn of internet culture, inspiration, and his most recent work, an exploration of the relationship between landscape and technology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1503259396300-6KOEXW4PUKA26N8SA63J/image-asset.png</image:loc>
      <image:title>Interviews - Mark Tribe: “Hopefully, some of these pictures will be preserved even though the landscape itself will be transformed by climate change.”</image:title>
      <image:caption>Screenshot from Rhizome.org’s Net Art Anthology. https://anthology.rhizome.org/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/6/7/rosa-menkman-i-intend-to-uncover-and-elucidate-the-ways-through-which-resolutions-constantly-inform-both-machine-vision-and-human-ways-of-perception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1496848156324-DLLS2HLMUIZCR93H7N8O/image-asset.png</image:loc>
      <image:title>Interviews - Rosa Menkman: “I intend to uncover and elucidate the ways through which resolutions constantly inform both machine vision and human ways of perception.”</image:title>
      <image:caption>Screenshot of Additivism.org. The 3D Additivist Cookbook, devised and edited by Morehshin Allahyari &amp; Daniel Rourke. http://additivism.org/cookbook</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1496848526775-7GOSQUWBC867S1Z2TVYC/image-asset.png</image:loc>
      <image:title>Interviews - Rosa Menkman: “I intend to uncover and elucidate the ways through which resolutions constantly inform both machine vision and human ways of perception.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1496848582592-83RFM2AAAEWNL5BUWPIT/image-asset.png</image:loc>
      <image:title>Interviews - Rosa Menkman: “I intend to uncover and elucidate the ways through which resolutions constantly inform both machine vision and human ways of perception.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1496866506955-UEMIC5LJ9XT5FOJCPFT5/YUycf+%281%29.jpg</image:loc>
      <image:title>Interviews - Rosa Menkman: “I intend to uncover and elucidate the ways through which resolutions constantly inform both machine vision and human ways of perception.”</image:title>
      <image:caption>ROSA MENKMAN is an artist and theorist who focuses on visual noise artifacts, resulting from accidents in both analogue and digital media (such as glitch, encoding and feedback artifacts). Although many people perceive these accidents as negative experiences, Menkman emphasizes their positive consequences: these artifacts facilitate an important insight into the otherwise obscure alchemy of standardization, which takes place through resolutions: the creation of solutions or protocols, and their black-boxed, unseen, forgotten or obfuscated compromises and alternative possibilities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1496848635995-BAIF9OEJEKICIWMS2GWE/image-asset.png</image:loc>
      <image:title>Interviews - Rosa Menkman: “I intend to uncover and elucidate the ways through which resolutions constantly inform both machine vision and human ways of perception.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1496848329440-PKQUD9557ED5LHWMAON0/Screen+Shot+2017-02-18+at+12.19.37+PM.png</image:loc>
      <image:title>Interviews - Rosa Menkman: “I intend to uncover and elucidate the ways through which resolutions constantly inform both machine vision and human ways of perception.”</image:title>
      <image:caption>Rosa Menkman, “How Not to be Read (A recipe using DCT)”, 2016. P. 238 of the 3D Additivist Cookbook.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/3/12/jessica-lynne-we-focus-on-what-voices-dont-make-it-to-the-center-when-were-in-these-moments-of-political-upheaval</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335092382-2OIOXGOZJA2TPBN0V4LJ/image-asset.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
      <image:caption>ARTS.BLACK is a journal of art criticism from Black perspectives predicated on the belief that art criticism should be an accessible dialogue - a tool through which we question, celebrate, and talk back to the global world of contemporary art. The journal is edited by Taylor Renee Aldridge and Jessica Lynne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335656971-IA86L56STXD699J9DYNC/Screen+Shot+2017-03-10+at+8.21.23+PM.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335007222-QGGHTPS1I80DA3X1I3H2/image-asset.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335567336-V1DDPBJRA7560UP2IEF1/image-asset.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335350097-DECY2ZUPVJN47TPEIOH9/image-asset.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
      <image:caption>Black Art Incubator at Recess. Photo courtesy of Recess.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335453488-34LE4WG1K06BIEYLS35M/Screen+Shot+2017-03-10+at+8.50.54+PM.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
      <image:caption>Black Art Incubator workshop event. Photo courtesy of Recess</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335227638-JQOEL5DP1KDUF5I2UV46/image-asset.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
      <image:caption>Webspace from http://www.space538.org/. Jessica Lynne artist talk, June 22, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1489335281638-GP8U2WY53UPZSAUA8K1P/image-asset.png</image:loc>
      <image:title>Interviews - Jessica Lynne: “We focus on what voices don’t make it to the center when we’re in these moments of political upheaval.”</image:title>
      <image:caption>Art + Money talk with artist Dread Scott at Black Art Incubator. Photo courtesy of Recess.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2017/1/25/catherine-haggarty-lately-making-no-sense-matters-the-most</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485402119281-S9ASSAAAWHSTNTNS9I9M/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>‘For the Victors’ 2017, Acrylic on Panel, 12x12 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485402457559-RJWUOMPWKARTJTLY9522/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>‘Land &amp; People’, 2016, Acrylic on wood, 16x18 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485401750491-JUJVR6I7ZERO8SJZT1IJ/image-asset.jpeg</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485401908510-3L8CS47EUDTEDPRX4ULO/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>‘Aqua’, 2016, Ink &amp; Gouache on Panel, 12 x12 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485402233597-1BHO0GM7QDQBLGB6BD54/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>Studio picture courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485402349475-AML3QGMJT6HWTL3WNFC7/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>‘Everything Everything’ 2010-2016, Acrylic and Ink on Panel, 24x24 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485402411629-XZ54JNJ9YIMQDGIINRXO/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>‘The Good World’ 2016, Gouache on panel, 12x12 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485402078695-H3RA63BC1HEK983ZV2IE/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>‘Dial’ 2017, pigment and silica on linen 30x 24 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1485401984286-AWXB5R1TNUD1TB6THYCM/image-asset.png</image:loc>
      <image:title>Interviews - Catherine Haggarty: "Lately, making no sense matters the most."</image:title>
      <image:caption>Travis Fairclough, 2016, ‘Dualist Affect’, Oil on Linen 22x18 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/12/20/jennifer-samet-i-believe-that-what-i-call-the-voice-of-the-artist-is-becoming-lost-in-art-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482253180964-06TM07DQKHQH2N55SYBL/photo+s+copy+%281%29.jpg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Jennifer Samet, in Truro, Massachusetts, for "Beer with a Painter" interview with Sharon Horvath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482246750939-QPZJRL1YULHSV2D0RVJX/Nicolas+Carone%2C+In+Orbit%2C+2007%2C+Acrylic+on+canvas%2C+84+x+60+in.%2C+part+of+_The+Space+Between%2C_+curated+by+Jennifer+Samet+for+the+New+York+Studio+School%2C+February+-+March+2015.jpg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Photo: Nicolas Carone, In Orbit, 2007, Acrylic on canvas, 84 x 60 in., part of "The Space Between," curated by Jennifer Samet for the New York Studio School, February - March 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482247031077-WC1OB10CMUC4VPIMLTRE/Andrea+Belag%2C+After+Krushenick+After+Hokusai%2C+2016%2C+oil+on+linen%2C+56+x+48+in.%2C+part+of+_Outside+In%2C_+at+Steven+Harvey+Fine+Art+Projects%2C+December+2016.jpg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Andrea Belag, After Krushenick After Hokusai, 2016, oil on linen, 56 x 48 in., part of "Outside In," at Steven Harvey Fine Art Projects, December 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482246625093-JC4VMYPE29ZRH00KYA0M/Installation+of+_Physical+Painting%2C_+curated+by+Jennifer+Samet+in+conversation+with+Scott+Wolniak%2C+for+the+Maass+Gallery%2C+Purchase+College%2C+February+-+March+2016.jpg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Photo: Installation of "Physical Painting," curated by Jennifer Samet in conversation with Scott Wolniak, for the Maass Gallery, Purchase College, February - March 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482246645834-5KUNLU0XC95KL07ORJWV/Installation+of+_Rough+Cut%2C_+curated+by+Jennifer+Samet+and+Elizabeth+Hazan+for+Morgan+Lehman+Gallery%2C+January+2015.jpeg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Photo: Installation of "Rough Cut," curated by Jennifer Samet and Elizabeth Hazan for Morgan Lehman Gallery, January 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482246772826-BC53BXJUJ674RCKPDLNH/With+Mary+Heilmann+in+her+Bridgehampton+studio+for+our+interview%2C+January+2013.jpg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Photo: Jennifer Samet with Mary Heilmann in her Bridgehampton studio for an interview, January 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482247000449-B9HM1582NQNAWMCFMS30/Jane+Dickson%2C+East+Village+Eye+Centerfold+3%2C+1982-+Monoprint+with+ink+on+rice+paper+9-x13+in.%2C+part+of+_%23PUSSYPOWER_+exhibition+at+DAVID_SCHWEITZER+Contemporary%2C+December+2016-January+2017.JPG</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Photo: Jane Dickson, East Village Eye Centerfold 3, 1982, Monoprint with ink on rice paper, 9 x 13 in., part of "#PUSSYPOWER" exhibition at DAVID&amp;SCHWEITZER Contemporary, December 2016-January 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1482246914582-SCXTXAPLTZSB272M9WIE/Installation+of+_Repetitive+Motion%2C_+curated+by+Jennifer+Samet+for+SHFAP+at+Projector+Gallery%2C+March+-+April+2014.jpg</image:loc>
      <image:title>Interviews - Jennifer Samet: “I think that “the voice of the artist” is becoming lost in art history”.</image:title>
      <image:caption>Photo: Installation of "Repetitive Motion," curated by Jennifer Samet for SHFAP at Projector Gallery, March - April 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/12/16/paul-dagostino-on-his-work-and-on-bushwicks-art-scene-if-you-have-an-idea-for-a-way-in-which-various-disciplines-can-come-together-creatively-and-perhaps-beautifully-then-why-not-go-for-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481942843487-ZZWHAXDBR6HQE7X4M8PV/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>Discussing paintings at 56 Bogart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481943216097-0Y4HSR8JW3ZJBC90NL53/PaulD-16.jpg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>Paul at Norte Maar’s dance concert in Socrates Park, Queen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481942676417-KTIHU2R99F5WTKM44XWR/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>In the studio at 56 Bogart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481943022967-QJPNOPRY68810HJ6FQNZ/PaulD-2.jpg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>In the studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481943522719-6I43LMQWWJKO3QHPURZB/PaulD-15.jpg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>Paul in Studio 10 for “NOMENCoLorATURE”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481943334890-ADEJQU9W2N4YHQJ5NUWS/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>At Studio 10 discussing “NOMENCoLorATURE”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481942543879-LU149782OGRMM9B4O72L/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>Paul D’Agostino in his studio at 56 Bogart, Summer 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481942926694-8VN22DXWUYTCC12DI5FS/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>In the studio at 56 Bogart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481943401116-2BPNO2BVD6G7WRSD0UNA/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>Swinging the bat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481943456916-ZAQ4Z137T33LM5CIUICL/image-asset.jpeg</image:loc>
      <image:title>Interviews - Paul D’Agostino on his work and on Bushwick’s art scene: “If you have an idea for a way in which various disciplines can come together creatively and perhaps beautifully, then why not go for it?”</image:title>
      <image:caption>At Studio 10 discussing “NOMENCoLorATURE”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/12/6/topless-we-wanted-to-tangibly-give-back-to-the-community-by-renovating-dormant-spaces-leaving-them-in-a-more-accommodating-state-afterward-better-suited-for-small-business</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481242786194-73BN7VHCEVUKN509YV85/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Jenni Crain, installation view of 'Bent To Its Own Image' at The Java Project, Brooklyn, NY, 2015. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481053918303-JSMTYR5DOQIDJFGU15SH/Screen+Shot+2016-12-06+at+2.51.24+PM.png</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Jenni Crain and Brent Birnbaum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481237582905-IKNXHXSU9IIMABPI96BB/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Installation view from Babble On at Topless, Summer 2016. Work by Nadia Belerique, Lili Huston-Herterich, Laurie Kang. Photo by Adam Kremer. Courtesy of the artist and Topless.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481239838928-7I41P2OMXMF1SVRA57N2/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Installation view from A Sphinx Has Lain Down Next To Me at Topless, Summer 2014. Pictured: twilight by Paul Demuro. Courtesy of the artist and Topless.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481242739742-8M00XB3VX0FQD3KXTGFY/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: 'A Sieve Itself May Sieve' at Shanaynay, Paris, FR, 2016. Works by Kelly Akashi, Talia Chetrit, William King &amp; Tori Wrånes. Curated by Jenni Crain and Lydia Glenn-Murray. Photo courtesy of Crain and Glenn-Murray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481242853369-GV42KSX40W0DJKM19UIA/BrentBirnbaum_SpringBreak_2015_b_web.jpg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Brent Birnbaum, Untitled, 2015, Treadmills, paint, ropes, extension cords, clamps. Installed at SPRING/BREAK Art Show. Photo courtesy of Brent Birnbaum/Denny Gallery, NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481243106301-XY9HJV0AFK7HFNHF0S4Z/image-asset.png</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Brent Birnbaum, Untitled (Red I), 2016, 5 Mini-Fridges, Mixed Media 122.5 x 18.5 x 19.5 in/ 311 x 47 x 50 cm. Photo courtesy of Brent Birnbaum/Denny Gallery, NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481243161819-QBGK8395D2BR96K2MADV/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Brent Birnbaum, Untitled (Red I), 2016, 5 Mini-Fridges, Mixed Media 122.5 x 18.5 x 19.5 in/ 311 x 47 x 50 cm. Photo courtesy of Brent Birnbaum/Denny Gallery, NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481238695775-D5V96VVHSV91CZFJB4JR/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Installation view from Eric Wiley at Topless Projects, Summer 2016. Works by Eric Wiley. Photo by Adam Kremer. Courtesy of the artist and Topless.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481242890008-KFACI4IVMVL25C5CWS79/BrentBirnbaum_SpringBreak_2015_e_vertical_web.jpg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Brent Birnbaum, Untitled, 2015, Treadmills, paint, ropes, extension cords, clamps. Installed at SPRING/BREAK Art Show. Photo courtesy of Brent Birnbaum/Denny Gallery, NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481238953959-35Y8NMXSTKFQT7ENAJWK/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Installation view from Horse in the Road at Topless, Summer 2015. Pictured: works by Anna Glantz. Photo by Adam Kremer. Courtesy of the artist and Topless.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1481242622913-4QI5VRI4TC9XXX7MJ045/image-asset.jpeg</image:loc>
      <image:title>Interviews - Topless - “We wanted to tangibly give back to the community by renovating dormant spaces, leaving them in a more accommodating state afterward – better suited for small business”.</image:title>
      <image:caption>Photo: Jenni Crain, installation view of 'Upon Reflection' at Y Gallery, New York, NY, 2015. Photo courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/10/9/expanding-the-pie-with-this-friday-or-next-friday-nycs-tiniest-most-inconsequential-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384594842-LV01UXDUWA4YGZ17IRVD/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"Everything Must Go", Nathan Sinai Rayman. Image courtesy of This Friday or Next Friday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384961772-BUYE78FO9TVX1P4VJUMJ/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"Ball Pit", Douglas Burns. Image courtesy of This Friday or Next Friday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384377305-HG5S9EU99E8AGJYYDV94/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"Decepticon", Ben Garthus curated by Sam Keller. Image courtesy of This Friday or Next Friday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476385017726-326UVNFKO11TF1CG926V/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"The Sixth Woman", Catherine Haggerty. Image courtesy of This Friday or Next Friday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384795141-W84JXQEEUT92JO0NX87L/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"sland Scenari", Zach Seeger. Image courtesy of This Friday or Next Friday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384682221-MO72ET893717EYCVDWN1/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>Nathan Sinai Rayman and Zach Seeger. Image courtesy of This Friday or Next Friday</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384145305-4GO41ECA7AD7TF0CGLAZ/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"Tight and White" by Lisi Raskin. Image courtesy of This Friday or Next Friday</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476384025087-JZA6XSNXJODNQPN6PAJL/image-asset.png</image:loc>
      <image:title>Interviews - “Expanding the Pie with This Friday or Next Friday; NYC’s tiniest, most inconsequential space”</image:title>
      <image:caption>"Ballet" by Patricia Brace. Image courtesy of This Friday or Next Friday.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/10/9/daniel-john-gadd-im-trying-to-make-paintings-that-feel-human-that-feel-how-i-feel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476040093390-9FFH08AK6UZ63N4I7EKR/Danieljohngadd-woundedman.jpg</image:loc>
      <image:title>Interviews - Daniel John Gadd:  “I'm trying to make paintings that feel human, that feel how I feel”.</image:title>
      <image:caption>Daniel John Gadd, “Wounded Man (After Courbet)”, 24” x 18”, Oil on paper, 2008. Photo courtesy of Daniel John Gadd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476040979685-73EE7H6QC0NLA0DE533W/image-asset.jpeg</image:loc>
      <image:title>Interviews - Daniel John Gadd:  “I'm trying to make paintings that feel human, that feel how I feel”.</image:title>
      <image:caption>Daniel John Gadd, “Rosemma”, 2016, oil, wax, aluminum leaf and mirrored glass on wooden panel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476040363704-WPJDWAS8PQTX484E0TSR/image-asset.jpeg</image:loc>
      <image:title>Interviews - Daniel John Gadd:  “I'm trying to make paintings that feel human, that feel how I feel”.</image:title>
      <image:caption>Daniel John Gadd, “I Know Rivers”, 2016, 120” x 115”, Oil, mirror, aluminum leaf, string and wax on wooden panel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1476040221175-FK9ALE2MGWNE9SW3P17Y/image-asset.jpeg</image:loc>
      <image:title>Interviews - Daniel John Gadd:  “I'm trying to make paintings that feel human, that feel how I feel”.</image:title>
      <image:caption>Moon, Daniel's daughter, in his studio at 1717 Troutman. Photo courtesy of Daniel John Gadd.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/8/25/andrew-russeth-following-16-miles-of-string-through-the-art-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1472144252944-AOPRS1OWXHGAJ1TMP6HK/image-asset.png</image:loc>
      <image:title>Interviews - Andrew Russeth: Following 16 miles of string through the art world</image:title>
      <image:caption>Gerhard Richter, Kerze (Candle), 1983, 95 cm x 90 cm, Oil on Canvas for a Sonic Youth album cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1472143517646-6GI82RNUVAPWFVNNDELU/image-asset.png</image:loc>
      <image:title>Interviews - Andrew Russeth: Following 16 miles of string through the art world</image:title>
      <image:caption>Pierre Huyghe, Untitled, LACMA, November 23, 2014-February 22, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1472143691186-Y8OXW8UDBPS0L0EHJQD3/Screen+Shot+2016-08-12+at+4.41.18+PM.png</image:loc>
      <image:title>Interviews - Andrew Russeth: Following 16 miles of string through the art world</image:title>
      <image:caption>John D. Schiff, Installation view of First Papers of Surrealism exhibition, showing Marcel Duchamp’s His Twine 1942, Gelatin silver print. Gift of Jacqueline, Paul and Peter Matisse in memory of their mother Alexina Duchamp. Philadelphia Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1472143138723-2JBR861WS959FJQ7V0JI/IMG_5902.JPG</image:loc>
      <image:title>Interviews - Andrew Russeth: Following 16 miles of string through the art world</image:title>
      <image:caption>Andrew in front of Florine Stettheimer's Model (Nude Self-Portrait) (circa 1915) at the Portland Museum of Art. Photo credit: Lauretta Charlton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/8/1/dqthm5rn9na8djf902mlp6i3i0jrm3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1470098172009-305GPOIB8RL9HG84X9P8/image-asset.png</image:loc>
      <image:title>Interviews - Anneliis Beadnell: Walking with PPOW in the shadow of forward motion</image:title>
      <image:caption>Portia MUNSON Fox Maze, 2013 pigmented ink on rag paper 60 X 96 in. (152.4 X 243.84 cm) Courtesy of the artist and P.P.O.W</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1470098051809-2Q7XIRZ0JIIW4IMKQO3B/image-asset.jpeg</image:loc>
      <image:title>Interviews - Anneliis Beadnell: Walking with PPOW in the shadow of forward motion</image:title>
      <image:caption>David Wojnarowicz “Untitled (Culture)” 1989 Courtesy of the Estate of David Wojnarowicz and P.P.O.W</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1470095822079-OKI102HTZE0WOC42GVJT/image-asset.jpeg</image:loc>
      <image:title>Interviews - Anneliis Beadnell: Walking with PPOW in the shadow of forward motion</image:title>
      <image:caption>Portrait of Anneliis by Hunter Lydon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1470098199407-8A76VQFJ4FLP6ZLWGTA6/image-asset.jpeg</image:loc>
      <image:title>Interviews - Anneliis Beadnell: Walking with PPOW in the shadow of forward motion</image:title>
      <image:caption>Robin F. Williams Bag Lady, 2016 acrylic and oil on canvas Courtesy of the artist and P.P.OW</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/7/11/brenda-zlamany-ive-learned-to-see-beauty-differently</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468267294821-MBIO1IT8HSQY2XJB1NI4/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Zlamany: “I’ve learned to see beauty differently.”</image:title>
      <image:caption>Portrait #124 (Young Man from Sandiman [Paiwan]), 2012. Oil on panel, 21 x 14 in. Image courtesy of Brenda Zlamany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468266743983-2EGUXSXM7ZT4U8FSKFRQ/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Zlamany: “I’ve learned to see beauty differently.”</image:title>
      <image:caption>Image courtesy of Brenda Zlamany</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468267200602-VXGIUFWWYZFC8DO21BXS/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Zlamany: “I’ve learned to see beauty differently.”</image:title>
      <image:caption>“888” documents Brenda Zlamany’s project “Creating a Portraiture of the Indigenous Inhabitants of Taiwan.” From July 1 to September 30, 2011, supported by a Fulbright grant, Brenda traveled in Taiwan, primarily to aboriginal villages. Image courtesy of Brenda Zlamany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468267499069-0NNY9GV5BLQ6GQA8VZ4V/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Zlamany: “I’ve learned to see beauty differently.”</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/7/9/ortega-y-gasset-projects-our-main-goal-is-to-foster-a-freedom-that-commercial-galleries-dont-have</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468117218984-AIT9VCUWCPCY6NC08W77/image-asset.png</image:loc>
      <image:title>Interviews - Ortega y Gasset Projects: “Our main goal is to foster a freedom that commercial galleries don’t have”.</image:title>
      <image:caption>Adam Ekberg, "Transferring a gallon of milk from one container to another", 2014, archival pigment print, 50 x 40 inches, Courtesy of the artist and ClampArt, New York City. From the show “PASS / FAIL” curated by Will Hutnick at OyG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468117500182-GKV0VEC4Q00ESWZDOG85/image-asset.png</image:loc>
      <image:title>Interviews - Ortega y Gasset Projects: “Our main goal is to foster a freedom that commercial galleries don’t have”.</image:title>
      <image:caption>A mixtape and site-specific installation organized by Joshua Bienko and Lauren F. Adams featuring works by, The MIKE MC, Joshua Bienko,Zahar Vaks, Fritz Horstman, Gary Setzer, Sarah Rushford, Sheilah Wilson, Devin Kenny, Peter Cotroneo, Dana Degiulio, Martin Lang, David Wilson, Sheilah Wilson, Danny Greene, and Mel Chin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468117157744-K2JEAWIJFJSMHV8LCN0Y/Screen+Shot+2016-07-09+at+10.18.38+PM.png</image:loc>
      <image:title>Interviews - Ortega y Gasset Projects: “Our main goal is to foster a freedom that commercial galleries don’t have”.</image:title>
      <image:caption>“USES” curated by Fritz Horstman. USES: Left to Right, Todd Freeman, Mark Dion, Naomi Safran-Hon, Zoe Sheehan Saldana, Richard Klein</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468116885888-WY4ECB0T8MWV3K0KVSHD/image-asset.png</image:loc>
      <image:title>Interviews - Ortega y Gasset Projects: “Our main goal is to foster a freedom that commercial galleries don’t have”.</image:title>
      <image:caption>Ortega y Gasset Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1468117375468-ADELXBN30SFXRJD34FYW/image-asset.png</image:loc>
      <image:title>Interviews - Ortega y Gasset Projects: “Our main goal is to foster a freedom that commercial galleries don’t have”.</image:title>
      <image:caption>“Love Child”, Curated by Eleanna Anagnos the show includes works by Eva and Adele, Anna Gaskell, and Douglas Gordon, Nyeema Morgan, and Mike Cloud, Rachel Dubuque and Justin Plakas, Maria Walker and Jonathan Allmaier, Carrie Moyer and Sheila Pepe, Jennifer Coates and David Humphrey</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/5/21/zachary-keeting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1463845947469-N2Y5QUUK7JGW8TCN7F1D/image-asset.png</image:loc>
      <image:title>Interviews - Zachary Keeting: "Slurries of difference excite me, and keep the painting process difficult".</image:title>
      <image:caption>April (1), 2016, Acrylic on canvas, 46” x 36”, Image courtesy: Zachary Keeting and FRED.GIAMPIETRO Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1463845759320-LIPN5AIGEWFOB5D9KXKQ/image-asset.png</image:loc>
      <image:title>Interviews - Zachary Keeting: "Slurries of difference excite me, and keep the painting process difficult".</image:title>
      <image:caption>Bill Jensen and Zachary Keeting, February 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1463845304266-SYF33KEXB8Z1TE0Q1LUJ/image-asset.png</image:loc>
      <image:title>Interviews - Zachary Keeting: "Slurries of difference excite me, and keep the painting process difficult".</image:title>
      <image:caption>April (8), 2010, Acrylic on paper, 30” x 22”, Image courtesy: Zachary Keeting and FRED.GIAMPIETRO Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1463844988309-X3T44ZQJ7BBEJZ0MA0FW/image-asset.png</image:loc>
      <image:title>Interviews - Zachary Keeting: "Slurries of difference excite me, and keep the painting process difficult".</image:title>
      <image:caption>Untitled, 2000, Acrylic on canvas, 60” x 84”. Image Courtesy: Zachary Keeting and FRED.GIAMPIETRO Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1463845574517-Q1XCJNDTUAJNX401ZN3Q/image-asset.png</image:loc>
      <image:title>Interviews - Zachary Keeting: "Slurries of difference excite me, and keep the painting process difficult".</image:title>
      <image:caption>March (1), 2016, Acrylic on canvas, 46” x 36”, Image courtesy: Zachary Keeting and FRED.GIAMPIETRO Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1463854904374-E24PET5IKT2M1B0JQEUE/image-asset.png</image:loc>
      <image:title>Interviews - Zachary Keeting: "Slurries of difference excite me, and keep the painting process difficult".</image:title>
      <image:caption>November (3), 2015, Acrylic on canvas, 30” x 30”, Image Courtesy: Zachary Keeting and FRED.GIAMPIETRO Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/5/6/tiger-strikes-asteroid-were-focused-on-giving-a-platform-to-artist-driven-programming-or-projects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1462552424564-IFUEBMI8R688ECJVVLSE/image-asset.png</image:loc>
      <image:title>Interviews - Tiger Strikes Asteroid: “We’re focused on giving a platform to artist-driven programming or projects”.</image:title>
      <image:caption>Night Flight, a group exhibition curated by Jackie Hoving and Norm Paris that features the work of Benjamin Degen, Johannes DeYoung, Angela Dufresne, Charlotte Hallberg, Trenton Doyle Hancock, MaryKate Maher, Tom McGrath, Mark Shetabi, and Jude Tallichet.  Image courtesy of TSA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1462552639678-120A8J3YU1IESPAM3UL0/image-asset.png</image:loc>
      <image:title>Interviews - Tiger Strikes Asteroid: “We’re focused on giving a platform to artist-driven programming or projects”.</image:title>
      <image:caption>“Made in USA / Some Parts Imported,” curated by Naomi Reis with Heidi Lau and featuring the work of Nicole Awai, Jenny Cho, Ignacio González-Lang, Christopher K. Ho, Daisuke Kiyomiya, Heidi Lau, Esperanza Mayobre, Mónica Palma Narváez, Armita Raafat, and Arthur Simms.  Image courtest of TSA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1462551805423-23J2568BD3AB8T709YC3/image-asset.png</image:loc>
      <image:title>Interviews - Tiger Strikes Asteroid: “We’re focused on giving a platform to artist-driven programming or projects”.</image:title>
      <image:caption>Pictured left to right: William Crump, Naomi Reis, Norm Paris, Andrew Prayzner, Rachael Gorchov, Vincent Como, Yin Ho, Alex Paik. Image courtesy: TSA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1462551370047-FD7585OVFL6Y3QKH3M3D/image-asset.png</image:loc>
      <image:title>Interviews - Tiger Strikes Asteroid: “We’re focused on giving a platform to artist-driven programming or projects”.</image:title>
      <image:caption>Conversation Space, a two-person exhibition featuring recent work by Caroline Santa and Jen Schwarting, curated by Rachael Gorchov.  Image courtesy of TSA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1462553547410-RNIBGN5LXE9H9DY1LTX4/image-asset.jpeg</image:loc>
      <image:title>Interviews - Tiger Strikes Asteroid: “We’re focused on giving a platform to artist-driven programming or projects”.</image:title>
      <image:caption>Artist Run exhibition housed in the abandoned Ocean Terrace Hotel, December 2015, Miami. Image courtesy: TSA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/3/25/christian-viveros-faun-i-think-its-important-to-make-work-that-bucks-trends-video-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458919912573-XQCJ772WWGLZ072OR7TW/image-asset.png</image:loc>
      <image:title>Interviews - Christian Viveros-Fauné: “I think it's important to make work that bucks trends.” (Video interview)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/3/18/marcandadinalevin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458307620280-WTNWCHLNZFADISLN0Q57/image-asset.jpeg</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>The Little Bits studio at Collab. Photo courtesy: Collab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458307838698-6OPILUFS73RXWAPY1YHL/image-asset.jpeg</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>Annie and Otis. Photo courtesy: Collab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458307192796-BEY5NLEB0R2NV7YYLXXS/image-asset.jpeg</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>Brazilian multi-sensory ride development. Photo courtesy: Sensorama</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458308618978-GQBUPC6WD2EVERTZP12Q/image-asset.jpeg</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>Drone building. Photo courtesy: Collab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458307377163-EC0ZAVYKJAQO84PGR5E5/image-asset.jpeg</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>Photo courtesy of Collab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458308269693-JDXLU95CRRHKEQXG1SO3/image-asset.png</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>Screen shot from multisensory ride. Photo courtesy: Sensorama</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1458307053087-35ZM0O793Q994CY1YB3T/image-asset.jpeg</image:loc>
      <image:title>Interviews - Why collaborative work may be the future of business</image:title>
      <image:caption>Marc and Adina Levin working on a prototype</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/3/10/qgxskrtpg4jo4tty3up0s8ixd2f032</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457664144286-PBEZL7OOJ6C7TH3MS6GV/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>Self- Portrait 2 48x40 in. Oil on Wood 1994</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457665348332-NQRPJC6YQ9PPRA3JDPFK/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>Stone Memories 72x80 in. Oil on Wood 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457664816307-NBG1SAKHLEXFPS2YV68W/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>Hard Choice 60x64 in. Oil on Wood 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457665180419-QHE7QQF68SIO7D1FZQ6W/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>Almost a Bride 80x72 in. Oil on Wood 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457662821644-YL4KJ02GA05DUYAIL29L/image-asset.jpeg</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>Brenda Goodman with her student work at her 50-year retrospective. Brenda Goodman’s paintings will be on view at Life on Mars Gallery from March 11-April 10, 2016. An opening reception for “Karmic” will be Friday, March 11, 6-9pm ET.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457665439313-I7YKWAEGBPO1RQ79AZHH/image-asset.jpeg</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>Brenda Goodman at the American Academy of Arts and Letters</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457665984435-NNI7MSJR2LV3NV6OOM3S/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>The Cat Approaches 66 x 51 in. Oil, Oil Crayon, Graphite on Canvas 1974</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457664277561-SP69V534XFIQE00J4MSD/image-asset.png</image:loc>
      <image:title>Interviews - Brenda Goodman: “Surrender is the most important part of painting; letting go."</image:title>
      <image:caption>(2) Sciatica (In the Karmic show at Life on Mars opening Friday, March 11th) 6 x 8 in. Oil on paper mounted on rag board 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/3/8/kxdkex9del6lyh1oj44q9zebtnu2h1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
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      <image:title>Interviews - Adam Simon: “There’s more to being an artist than making work and finding a gallery”</image:title>
      <image:caption>Photo courtesy of Adam Simon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457446973516-F3K0NCK2584JUANYIOT9/image-asset.png</image:loc>
      <image:title>Interviews - Adam Simon: “There’s more to being an artist than making work and finding a gallery”</image:title>
      <image:caption>Photo courtesy of Adam Simon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457445419509-ACZX1GTO3HLEY65BJ89S/image-asset.png</image:loc>
      <image:title>Interviews - Adam Simon: “There’s more to being an artist than making work and finding a gallery”</image:title>
      <image:caption>Photo courtesy of Adam Simon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457446338100-GZBUPPQ6WCSFEQISRF75/image-asset.png</image:loc>
      <image:title>Interviews - Adam Simon: “There’s more to being an artist than making work and finding a gallery”</image:title>
      <image:caption>Photo courtesy of Adam Simon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457446571051-YLO6IFFD3FAHGF0LOS0Z/image-asset.png</image:loc>
      <image:title>Interviews - Adam Simon: “There’s more to being an artist than making work and finding a gallery”</image:title>
      <image:caption>Photo courtesy of Adam Simon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1457445312917-GH798EUE50UP87DYO7AZ/image-asset.jpeg</image:loc>
      <image:title>Interviews - Adam Simon: “There’s more to being an artist than making work and finding a gallery”</image:title>
      <image:caption>Photo by André Smits from his Artist in the World series.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/2/20/cara-ober-being-an-artist-is-not-about-winning-its-being-part-of-something-bigger-being-relevant</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1455977961012-P0VGWD11IOTDXAU3HXFZ/image-asset.jpeg</image:loc>
      <image:title>Interviews - Cara Ober: “Being an artist is not about winning. It's being part of something bigger, being relevant."</image:title>
      <image:caption>"Untitled" from the Tchotchke Series by Cara Ober.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1455978654682-L0QGKKFG7TR9UB1NVWCC/image-asset.jpeg</image:loc>
      <image:title>Interviews - Cara Ober: “Being an artist is not about winning. It's being part of something bigger, being relevant."</image:title>
      <image:caption>"Price of Apathy" Mixed Media on Paper by Cara Ober.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1455977223232-VAYSQM93N95FSXAQD2GX/image-asset.jpeg</image:loc>
      <image:title>Interviews - Cara Ober: “Being an artist is not about winning. It's being part of something bigger, being relevant."</image:title>
      <image:caption>Photo by Kelvin Bulluck courtesy of Strangers With Style.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1455978298516-DAGKNF8H04PKPYBWCFBA/image-asset.jpeg</image:loc>
      <image:title>Interviews - Cara Ober: “Being an artist is not about winning. It's being part of something bigger, being relevant."</image:title>
      <image:caption>Photo by: Tony Venne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1455978882639-VNPR33KP5MQ2V18V75Y4/image-asset.jpeg</image:loc>
      <image:title>Interviews - Cara Ober: “Being an artist is not about winning. It's being part of something bigger, being relevant."</image:title>
      <image:caption>"Series of Emergencies" Mixed Media on Paper by Cara Ober.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1455978522020-MG0L06SU1BPMSWTAK4XZ/image-asset.jpeg</image:loc>
      <image:title>Interviews - Cara Ober: “Being an artist is not about winning. It's being part of something bigger, being relevant."</image:title>
      <image:caption>"100 Years" Mixed Media on Paper by Cara Ober.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/1/25/i-consider-myself-to-be-part-of-a-rising-class-of-entrepreneurial-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453775116615-4CV6YQG1JLBCVZBAJA8S/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: Christopher Stout in his gallery in Bushwick, Brooklyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453775249576-GKKUKRMUWZO32BV0J9K9/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: CSG/NY Opening Night, Portrait with Artist Anne Sherwood Pundyk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453774949947-Q9A3TRG0BOYF9NFTOWTG/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: CSG/NY artist lecture night with Linda Griggs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453772457740-7DPV8IV8K3CJM4VZR0G2/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: Christopher Stout with Samantha Katz, Curator and co-Organizer of Arts in Bushwick, Bushwick Open Studios and Founder of Created Here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453774306998-COUEE8742E1C6WP12449/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: Christopher Stout, “A.O.” solo installation view, ArtHelix, April 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453774669116-4I38P6I0F2AHMWGVGT9N/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: Title painting from Christopher Stout’s series “A.O.,” studio view, May 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453774586571-0BI3CJU8BFXB1EO4Z52O/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: Title painting from Christopher Stout’s series “A.O.,” Frieze, May 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453774817339-YNET16TS5W4DW0AC24BK/image-asset.png</image:loc>
      <image:title>Interviews - Christopher Stout: "I consider myself to be part of a rising class of entrepreneurial artists..."</image:title>
      <image:caption>Image Caption: Bushwick Art Crit Group, artist lecture night summer 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2016/1/18/austin-thomas-on-life-and-art-its-not-about-your-stature-its-about-your-silhouette-the-shadow-that-you-cast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453142221226-ROBXN98OF5P4IXS2EXOT/image-asset.jpeg</image:loc>
      <image:title>Interviews - Austin Thomas on life and art - “It’s not about your stature, it’s about your silhouette, the shadow that you cast."</image:title>
      <image:caption>Austin Thomas Plaza Perch, 2016 Stainless Steel, wood decking, acrylic panels 15’ x 11’ x 12’ Soon to be completed stainless steel gazebo-like structure, commissioned by New York City's Department of Cultural Affairs Percent for Art Program. Plaza Perch will feature a colorful acrylic trellised roof and bench for the newly built Humboldt Plaza in East Williamsburg, Brooklyn, NY along Moore Street directly in front of the Moore Street Market. Plaza Perch will be the focal point of the plaza.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453142676773-SQRM0AEL0DEDOKTXXTE8/image-asset.png</image:loc>
      <image:title>Interviews - Austin Thomas on life and art - “It’s not about your stature, it’s about your silhouette, the shadow that you cast."</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453141942123-ZO648VJIKTSV0RQW2RRH/image-asset.jpeg</image:loc>
      <image:title>Interviews - Austin Thomas on life and art - “It’s not about your stature, it’s about your silhouette, the shadow that you cast."</image:title>
      <image:caption>Austin Thomas on her computer at Salon Zurcher in Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453142094035-G47FQY1KISR8FCSQYOBG/image-asset.jpeg</image:loc>
      <image:title>Interviews - Austin Thomas on life and art - “It’s not about your stature, it’s about your silhouette, the shadow that you cast."</image:title>
      <image:caption>Austin Thomas, Notebook, 2015 7 x 10 inches, watercolor with pen and pencil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453142498710-7HOZT3KG301MK770YXKD/IMG_9827.jpg</image:loc>
      <image:title>Interviews - Austin Thomas on life and art - “It’s not about your stature, it’s about your silhouette, the shadow that you cast."</image:title>
      <image:caption>New Studio in Williamsburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1453142392175-ORMFY50HID2Y82ILRVM3/image-asset.jpeg</image:loc>
      <image:title>Interviews - Austin Thomas on life and art - “It’s not about your stature, it’s about your silhouette, the shadow that you cast."</image:title>
      <image:caption>Austin Thomas, Notebook, 2015 7 x 10 inches, watercolor with pen and pencil</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/11/29/sharon-louden-on-creativity-boredom-has-been-an-amazing-trigger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1448909460577-K0YN6BPQII3QHV1LI2CB/image-asset.png</image:loc>
      <image:title>Interviews - Sharon Louden on creativity, “Boredom has been an amazing trigger”</image:title>
      <image:caption>Sharon Louden teaching at Chautauqua</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1448980569300-EG3VHD4M8IHGI4E4I8KH/Screen+Shot+2015-11-30+at+1.34.47+PM.png</image:loc>
      <image:title>Interviews - Sharon Louden on creativity, “Boredom has been an amazing trigger”</image:title>
      <image:caption>"Merge" at University of Connecticut, Storrs, CT, 2013 Photo credit: Christopher Gallo Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1448907942966-EZ3VCGYI4R4NGSXFHA0V/image-asset.png</image:loc>
      <image:title>Interviews - Sharon Louden on creativity, “Boredom has been an amazing trigger”</image:title>
      <image:caption>"Living and Sustaining A Creative Life" at the Strand Book Store, New York, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1448909642641-6NOXWMJPMTVUEFPVM8VN/image-asset.png</image:loc>
      <image:title>Interviews - Sharon Louden on creativity, “Boredom has been an amazing trigger”</image:title>
      <image:caption>Sharon Louden in her studio, Minneapolis, MN, November, 2015. Photograph by Vinson Valega.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1448908180362-TRN8HRVPMZPVWVHZFS38/image-asset.png</image:loc>
      <image:title>Interviews - Sharon Louden on creativity, “Boredom has been an amazing trigger”</image:title>
      <image:caption>"Windows" at the Tweed Museum of Art, Duluth, MN, 2015 Photo credit: Christopher Gallo Photography</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/11/12/sharon-butler-social-media-has-changed-the-experience-of-what-it-means-to-be-alone-with-your-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1447368412557-EY715OOUB058HMX7NYCS/image-asset.png</image:loc>
      <image:title>Interviews - Sharon Butler: "Social media has changed the experience of what it means to be alone with your work."</image:title>
      <image:caption>Sharon's studio in Dumbo. Source: Two Coats of Paint. Image copyright Sharon Butler, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1447368230092-8M8RD8LD5WFSPLV6OMNI/Screen+Shot+2015-11-12+at+5.41.39+PM.png</image:loc>
      <image:title>Interviews - Sharon Butler: "Social media has changed the experience of what it means to be alone with your work."</image:title>
      <image:caption>Sharon Butler in her DUMBO studio. Source: Two Coats of Paints. Image copy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/11/12/what-no-one-teaches-you-in-art-school-that-you-need-to-know</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1447506103907-1RDBPL3GKZYB0TL2XY9G/image-asset.png</image:loc>
      <image:title>Interviews - What no one teaches you in art school that you need to know</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/10/24/how-a-famous-poet-used-creativity-to-meet-the-heroes-of-his-generation-conversation-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1447506265977-1GI9054CST11JRLF8H2N/image-asset.png</image:loc>
      <image:title>Interviews - How a famous poet used creativity to meet the heroes of his generation (Conversation - Part 2)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/10/18/my-conversation-with-john-yau-part-i</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1445220194980-BFU7Y447JBYPVLLVCMK7/image-asset.jpeg</image:loc>
      <image:title>Interviews - How a subway conversation launched the career of one of the world's most renowned poets and writers (Conversation - Part I)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/14/the-ambidextrous-artist-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1442242721436-BLB302KIOVBELVR0LI7O/image-asset.png</image:loc>
      <image:title>Interviews - The Ambidextrous Artist</image:title>
      <image:caption>Deborah Brown in her studio. Photo credit: Youngna Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55f19317e4b07aba54d1204b/1442246137585-45M04RJHNNKWTSVBQKW4/image-asset.png</image:loc>
      <image:title>Interviews - The Ambidextrous Artist</image:title>
      <image:caption>Deborah Brown, “Venetian”, 2015, oil on canvas, 36 x 36 in.</image:caption>
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      <image:caption>Justin Cooper, “Canopy”, 2015 installation, folding chairs, garden hose</image:caption>
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      <image:caption>Xiao Fu, "Pixel World," 2015, from "Home Improvement" on Rock Street, Boar's Head Plant, 2015 Bushwick Open Studios.</image:caption>
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      <image:caption>Storefront Ten Eyck, Deborah Brown and Derek Fordjour at his solo show, 2014.</image:caption>
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      <image:caption>Deborah Brown in her studio. Photo credit: Young Na Park</image:caption>
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    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/14/michael-royce</loc>
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      <image:caption>Michael Royce. Photo credit: Eduardo Patino</image:caption>
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      <image:caption>NYFA Group discussion on the Immigrant Artist Program (IAP), serving a community of artists with diverse backgrounds who share the experience of immigration. Photo credit: Giada Crispiels.</image:caption>
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      <image:caption>Photo: an opening of NYFA's Guatamala exhibit, "La Crisalida". Photo credit: Mara Vlatkovic.</image:caption>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/11/kara-rooney</loc>
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    <lastmod>2020-02-26</lastmod>
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      <image:title>Interviews - The Artist As Social Entrepreneur</image:title>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/25/james-fuentes</loc>
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      <image:title>Interviews - James Fuentes on Starting Up - "Does New York City really need another gallery?"</image:title>
      <image:caption>Alison Knowles, The Boat Book, 2014. Photography by Jason Mandella.</image:caption>
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    <image:image>
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      <image:title>Interviews - James Fuentes on Starting Up - "Does New York City really need another gallery?"</image:title>
      <image:caption>Installation view: Amalia Ulman, Stock Images of War, 2015. Photography byJason Mandella.</image:caption>
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    <image:image>
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      <image:title>Interviews - James Fuentes on Starting Up - "Does New York City really need another gallery?"</image:title>
      <image:caption>Installation view: Jessica Dickinson, Close/Close, 2015. Photography by Object Studies.</image:caption>
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      <image:title>Interviews - James Fuentes on Starting Up - "Does New York City really need another gallery?"</image:title>
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    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/25/a-portrait-of-the-artist-as-an-entrepreneur</loc>
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      <image:title>Interviews - A Portrait of the Artist as an Entrepreneur</image:title>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/25/new-museums-gioni-i-have-a-responsibility-to-not-fall-victim-to-being-swayed-by-price-tags</loc>
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      <image:title>Interviews - New Museum’s Gioni: “I have a responsibility to not fall victim” to being swayed by price tags.</image:title>
      <image:caption>Sand In The Vaseline, 1974, egg yolk on moiré. 36 x 40”, (P1974.21) © Ed Ruscha, courtesy of the artist and Gagosian Gallery</image:caption>
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    <image:image>
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      <image:title>Interviews - New Museum’s Gioni: “I have a responsibility to not fall victim” to being swayed by price tags.</image:title>
      <image:caption>Massimiliano Gioni with an artwork by Paul McCarthy. Photo: Marco De Scalzi. Courtesy Fondazione Nicola Trussardi, Milan</image:caption>
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      <image:title>Interviews - New Museum’s Gioni: “I have a responsibility to not fall victim” to being swayed by price tags.</image:title>
      <image:caption>Massimiliano Gioni holding an artwork by Gianfranco Baruchello, 2010. Photo: Marco De Scalzi. Courtesy Fondazione Nicola Trussardi, Milan</image:caption>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/25/how-imagination-and-intelligent-risks-fueled-a-career-in-contemporary-art</loc>
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    <lastmod>2015-09-25</lastmod>
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      <image:caption>Photo credit: Jason Schmidt. David Zwirner’s second location in Chelsea was designed by Selldorf Architects. This 30,000 sf building uses materials inspired by modern and contemporary masters. The gallery includes ample exhibition and work spaces incorporating concrete floors, teak-framed windows, and sawtooth skylights allowing for natural light.</image:caption>
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    <image:image>
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      <image:title>Interviews - How Imagination and Intelligent Risks Fueled A Career In Contemporary Art</image:title>
      <image:caption>Photo of Julia by Anna Bauer. Courtesy of "The Portrait Project" by MZ Wallace. Artwork by Luc Tuymans.</image:caption>
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      <image:title>Interviews - How Imagination and Intelligent Risks Fueled A Career In Contemporary Art</image:title>
      <image:caption>Installation view of the 2011 exhibition Donald Judd at David Zwirner in New York. Art © Judd Foundation. Licensed by VAGA, New York, NY. Courtesy of David Zwirner, New York/London.</image:caption>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/27/the-single-most-important-thing-for-emerging-artists-to-do</loc>
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    <lastmod>2020-02-26</lastmod>
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      <image:caption>Photo: Opening at BRIC Arts Media House</image:caption>
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      <image:title>Interviews - The Single Most Important Thing For Emerging Artists To Do</image:title>
      <image:caption>Photo: View of the Gallery at BRIC Arts Media House</image:caption>
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      <image:title>Interviews - The Single Most Important Thing For Emerging Artists To Do</image:title>
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  <url>
    <loc>http://www.conversationprojectnyc.com/interviews/2015/9/27/a-warning-to-young-artists-dont-peak-too-soon</loc>
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    <lastmod>2020-02-26</lastmod>
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      <image:title>Interviews - A Warning to Young Artists: Don't Peak Too Soon</image:title>
      <image:caption>Image courtesy of michellegrabner.com. Work from Home, Museum of Contemporary Art, Cleveland.</image:caption>
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      <image:caption>Image courtesy of the thesuburban.org</image:caption>
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      <image:caption>Image courtesy of poorfarmexperiment.org</image:caption>
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    <lastmod>2020-05-14</lastmod>
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      <image:caption>Brett Wallace and John Yau in conversation. 2015 at the Empire State Building, New York. Photo credit: Dan Mills</image:caption>
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